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In the middle of a dark, violet stage, Kanye donned the gray tweed jacket, afro-mullet and heartbroken pin that had become a staple sartorial choice for this era of West. On September 7, Kanye debuted “Love Lockdown” flanked by 20 taiko drummers. “I’m going to say for the majority of 808s, that kind of happened to Kanye on every song.”
Download kanye west 808s and heartbreak album zip full#
“The majority of it was already there, and I feel like our job, the other collaborators on this album, was really to polish and finish thoughts that had already come out fairly full and intact from him,” she says. “We put the Auto-Tune on so he could do it live, and when he had that, it was like Christmas, you know? Because now all of a sudden he could play an instrument.” -Jeff BhaskerĪfter a friendly check-up and visit to the studio, West shoved a yellow notepad into Esthero’s hands, enlisting her to help finish the song.
Download kanye west 808s and heartbreak album zip how to#
“There was a lot of verses and a lot of mumbling to translate, so we had a lot of writers trying to crack how to write that song and what that story is,” Bhasker said of the lyric writing process. The record was finished three days before Kanye was set to perform it on the Paramount Studios lot. After previewing a demo of “Love Lockdown” for MTV Executive producer Dave Sirulnik at the 2008 Democratic National Convention, West decided to debut the track at that year’s Video Music Awards. The first step in the process was “Love Lockdown,” a pulsing, serrated left turn for West that melded an alien 808s beat with piano chords and tribal drums.
“It was just me and him walking alone up to the door, and we were having a conversation, and him saying to me, ‘I want to make a record where I’m singing all the way through.'” “Scott Storch was down the street having a party and so ‘Ye and I decided to go and check it out,” Esthero said. Esthero, the Canadian singer-songwriter who voiced Jane the spaceship on The Glow In the Dark Tour, remembers the Chicago artist telling her his plans for his next career move after the L.A. “The main things that triggered the idea of 808s was when we were doing the Glow in the Dark tour, and there was the ‘Good Life’ part of the show, and he said, ‘I want to do the T-Pain part in the show.’ So we put the Auto-Tune on so he could do it live, and when he had that, it was like Christmas, you know? Because now all of a sudden he could play an instrument.”īy April of the tour’s first month, Kanye had solidified the idea for his singing album, his first departure from rap. Jeff Bhasker - a keyboardist and producer who was part of West’s live band and would end up producing and writing on nearly half of the album - witnessed the project taking shape as West began trying new things in his performances. The space opera via stadium tour found West experimenting more live, especially with his singing voice.
The genesis of 808s & Heartbreak began on 2008’s The Glow In the Dark Tour. You gotta go through the process and heal. He wanted to get the project out, but some people were like, ‘Give Kanye time to heal.’ I’m like ‘Nah, man.’ You gotta heal through it. “And yeah he went deep inside himself and addressed those utterly dark, sick emotions that exist, the doubts, the fears, which makes for obviously a great tale. So him trying to go inside himself is difficult, because he could easily write from a place of stardom, of fame, of the industry.” Yusef said. “Him fighting his fear, fighting depression, kind of for real, for real thrown into the public eye. “That was the first time that we knew exactly where he was emotionally.” -Tony Williams The achievements of 2007’s Graduation - beating 50 Cent in a highly publicized first-week sales battle, selling 957,000 copies in the first week, the crossover success of “Stronger” and “Good Life” - turned West into what Yusef describes as “not just rap fame, superstardom.” Malik Yusef, one of Kanye’s oldest writing partners, remembers an inflection point between the tragedy of West’s personal life and his ascension to a new level of fame. “A lot of it was not ever voiced verbally to us in those situations.” “I think because he doesn’t wear his emotions on his sleeve a lot of time that a lot of us that are very close to him in his inner circle, that was the first time that we knew exactly where he was emotionally,” Tony Williams, Kanye’s cousin and frequent collaborator said. For West’s closest confidantes, his early, raw and unfiltered recordings were the first time they heard how he was coping with the losses. According to its well-worn inception story, 808s & Heartbreak is part self-examination, part-exorcism of two tragic and life-defining moments for Kanye: the death of his mother, Donda West, on November 10, 2007, from cosmetic surgery complications and the dissolution of his 18-month engagement to Alexis Phifer.